An essay by T Fleischmann
June 4, 2019 • 5 x 7.75 • 176 pages • 978-1-56689-547-7
W.G. Sebald meets Maggie Nelson in an autobiographical narrative of embodiment, visual art, history, and loss.
How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzalez-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.
About the Author
T Fleischmann is the author of Syzygy, Beauty and the curator of Body Forms: Queerness and the Essay. A nonfiction editor at DIAGRAM and contributing editor at Essay Daily, they have published critical and creative work in journals such as the Los Angeles Review of Books, Fourth Genre, Gulf Coast, and others, as well as in the anthologies Bending Genre, How We Speak to One Another, Little Boxes, and Feminisms in Motion.
Praise for Time Is the Thing a Body Moves Through
