A novel by John A. Williams
April 1, 1999 • 6 x 9 • 304 pages • 978-1-56689-080-9
Africans and African Americans in the Holocaust.
If there is an undiscovered aspect of the black experience, it will be found by John A. Williams, one of the founding members of the Black Arts Movement of the 1960s and 1970s. In his newest of twelve novels, Williams presents the fictionalized narrative of a black jazz musician imprisoned in Dachau who keeps himself alive by working as the band leader of a group of prisoners who play jazz at a nearby officers’ club. Clifford’s Blues penetrates a hidden portion of African American history, and the hidden reserves of the heart.
Told in journal form, this novel is the story of Clifford Pepperidge, a gay musician performing in Europe during the thirties. After he is caught in a compromising situation with a American diplomat, Clifford spends the duration of Hitler’s reign in Dachau. He escapes the worst horrors of the camp by working as the house servant to an SS officer. This novel explores the resilience of the human will, as well as the instincts and tools we draw on to survive persecution. On witnessing one day the execution of a friend, Clifford later writes: “I thought of Revelations: ‘I was dead and now I am to live forever and ever, and I hold the keys of death and of the underworld.’ Now write down all that you see of present happenings and ‘things that are still to come.’”
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