The second installment of Lojze Kovačič’s Slovenian masterpiece begins with our hero, Bubi, once again making mischief in the labyrinthine streets, rooftops, bridges, abandoned butcher shops, and cinemas of wartime Ljubljana, with a coterie of scrappy sidekicks. Scenes of first sexual encounters – which are more mimicry than acts of desire – are interspersed with hijinks that replicate the violence raging across Europe. From the goofy, heady plots of childhood, Bubi emerges as a determined student of art, trading his handmade comic books for scraps of food and working day and night on a mural of Snow White for a nearby orphanage.
Kovačič’s control of language, and Michael Biggins’s expert translation, form a remarkable fidelity to a time in which a thirteen-year-old Swiss kid, exiled and yet protected from the worst horrors of the Holocaust, envisions Nazi Germany as “a gigantic, black, marble block filled with Hitler Youth brats with whom I would have to stand at attention, striking some drum.” Newcomers: Book Two is so packed with arresting historical detail, so attentive to the intricate material world of 1940s Ljubljana, as to render the contemporary moment flimsy in comparison.
